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Playing it safe – The Leeds and competitions in the time of COVID
The Leeds International Piano Competition has spent the last year working out how to run its event safely in the…
First Person
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Artists in charge – Riot Ensemble
Riot Ensemble has tried a business model where its musicians also hold administrative roles. Founder and artistic director Aaron Holloway-Nahum…
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Keiko Devaux on Canadian music
Azrieli Music Prizes (AMP) will hold its third Gala Concert later this month. Originally a competition for Jewish music, this edition…
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Light switch – Bergen International Festival
Many of the major culture-bearing institutions in Europe have closed their doors and switched off the lights. Meanwhile Bergen International…
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Tomorrow’s World: Classical Music beyond Isolation
Controller of BBC Radio 3 Alan Davey writes for IAM on how online streaming is changing the world of classical…
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The vision thing – Mark Pemberton from ABO
ABO’s 2020 Conference will ask delegates to look 10 years into the future and imagine the challenges that orchestras will…
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Matthew VanBesien – waves of influence
Matthew VanBesien, the former president of New York Philharmonic, is now president of Michigan’s University Musical Society (UMS). With 25…
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How Singapore’s Esplanade – Theatres on the Bay is preparing for the future
Yvonne Tham will take over as CEO of Esplanade – Theatres on the Bay when Benson Puah, who has steered…
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Le Bureau Export
From clubbing icon David Guetta, to classical pianist Alexandre Tharaud, and jazz star Julien Doré, Le Bureau Export supports a…
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Filming an operatic theme
Writer and director Carys Lewis is the first filmmaker in residence at Welsh National Opera (WNO), in collaboration with Ffilm…