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Playing it safe – The Leeds and competitions in the time of COVID
The Leeds International Piano Competition has spent the last year working out how to run its event safely in the…
Features
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Artists in charge – Riot Ensemble
Riot Ensemble has tried a business model where its musicians also hold administrative roles. Founder and artistic director Aaron Holloway-Nahum…
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Q&A with IMZ’s Katharina Jeschke
What can we expect from this year’s Avant Première Music + Media Market? And how has the IMZ International Music…
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The stars keep shining
The Hong Kong Philharmonic Orchestra couldn’t have its usual outdoor Swire Symphony Under The Stars concert this year – so…
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Introducing: Lost Horizon
The minds behind Glastonbury’s after hours zone Shangri-La have a new virtual festival. But does it match up to the…
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Let’s work together – Rhizome Arts Consulting
Could new cooperatives provide a better business model for the arts? IAM spoke to the partners at Rhizome Arts Consulting…
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Alain Paré outlines CINARS Web programme
As CINARS prepares for its CINARS Web digital programme, we caught up with president and executive director Alain Paré to…
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A gala concert with a difference
The Azrieli Music Prizes (AMP) will hold its third Gala Concert later this week. Originally a competition for Jewish music, this…
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Work of art – Taishin Arts Award
Taishin Arts Award recognises and develops the best Taiwanese artists. Executive director Yali Cheng explains why its work is so…
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Keiko Devaux on Canadian music
Azrieli Music Prizes (AMP) will hold its third Gala Concert later this month. Originally a competition for Jewish music, this edition…