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How to move music education online
The Conservatoire in Blackheath is a charity that has been offering tuition in music, art and drama for nearly 140…
Blog
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Real opera in an imaginary world
Tête à Tête opera festival artistic director Bill Bankes-Jones is skeptical about online performances – but thinks there may be…
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Making Music From Music: Symphronica and The Instrumental Music Liberation Front
Composer Ron Davis writes for IAM about his new album Instrumental Music Liberation Front, his mixtape approach to genres, and why crossing…
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COVID-19 diversification strategies – how to diversify in a crisis
Business guru David Parrish on how diversification may be the key to carrying on during (and after) COVID-19. During the…
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Self-Employed Income Support Scheme leaves creative freelancers in the cold
Ceri Stoner – a partner at media, technology and intellectual propery law firm Wiggin LLP – on how the UK…
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Turning refunds into donations
Liv Nilssen, sector strategy leader at Spektrix, shares a piece of software that could help arts organisations turn refunds into donations. The…
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COVID-19 – 10 ways the arts sector can respond to the crisis
We are in the middle of a health emergency that will have a short-term dire economic impact – Spain has already…
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COVID-19: It’s not just lives that are at risk but livelihoods – managing the crisis at work
From locking up Broadway, to closing the borders, the delay and contain strategies of the COVID-19 pandemic will have a…
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Lighting the way
Conductor and composer Odaline de la Martinez on programming the upcoming Focus 2020 | Trailblazers festival in New York, which will…
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United Strings of Europe: beyond the concert hall
Julian Azkoul from United Strings of Europe on music as a cultural bridge: reaching out beyond the concert hall. In…