Lift off
Lynnette Moran, festival director of Live Collision International Festival, writes for IAM about taking the…
Author IAM contributor
Diary: a week in the life of James Grieve
Monday I’m nearing the end of almost a decade as joint artistic director of Paines…
Room to grow
Ken Smith talks to Joyce Y Chiou, National Taichung Theater’s new executive and artistic director…
My life: a week with Moema Parrott
Monday I wake up early as I love to see the sunrise, it infuses my…
Creative Schools is a mission to increase access to arts and cultural education
Tania Wilmer, director at Stratford Circus Arts Centre, writes for IAM about an innovative new…
John Gilhooly, director of Wigmore Hall, on bringing learning to life
Much has been written about the case for cultural education and its place in lifelong…
SOS: save our scores – working together for the future of youth orchestras
CEO of Music for Youth, Judith Webster, gives her take on youth orchestras at the…
What will the music scene look like in a Brexit Britain?
Immigration Advice Service’s Maddie Grounds tells IAM what the sector can expect. With May’s Withdrawal…
Haydn the magician
Pianist Roman Rabinovich tells IAM how the music of Haydn continues to surprise – even…
The one man show making invisible disabilities visible on stage
“You only tend to see us when we are at our best.” Spoken word and…