Artists in charge – Riot Ensemble
Riot Ensemble has tried a business model where its musicians also hold administrative roles. Founder…
Author IAM contributor
The royal treatment – Guy Johnston on the Hatfield House Chamber Music Festival
Guy Johnston and friends have brought music back to Elizabeth I’s childhood home at Hatfield…
Real opera in an imaginary world
Tête à Tête opera festival artistic director Bill Bankes-Jones is skeptical about online performances –…
Light switch – Bergen International Festival
Many of the major culture-bearing institutions in Europe have closed their doors and switched off…
Making Music From Music: Symphronica and The Instrumental Music Liberation Front
Composer Ron Davis writes for IAM about his new album Instrumental Music Liberation Front, his mixtape approach…
Self-Employed Income Support Scheme leaves creative freelancers in the cold
Ceri Stoner – a partner at media, technology and intellectual propery law firm Wiggin LLP…
COVID-19: It’s not just lives that are at risk but livelihoods – managing the crisis at work
From locking up Broadway, to closing the borders, the delay and contain strategies of the…
Lighting the way
Conductor and composer Odaline de la Martinez on programming the upcoming Focus 2020 | Trailblazers festival…
United Strings of Europe: beyond the concert hall
Julian Azkoul from United Strings of Europe on music as a cultural bridge: reaching out…
Demystifying music: Clod Ensemble
Composer & Clod Ensemble artistic director Paul Clark on demystifying music: harnessing the creativity and…