![20 [Eric Richmond]](http://www.internationalartsmanager.com/wp-content/uploads/2017/04/20-Eric-Richmond-e1491568331572-351x185.jpg "Evelyn Glennie – sounds of the underground")
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Evelyn Glennie – sounds of the underground
Maria Roberts speaks to pioneering percussionist Evelyn Glennie about teaching the world to listen and what it takes to succeed as a…
Spotlight
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No elephant in the room: how modern circus is changing
The UK circus sector is challenging outdated ideas about the art form and its audiences. Rachel Clare, founder and artistic…
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Get your copy of IAM’s Competition Guide 2016
With more competitions on offer than ever before Benjamin Woodroffe, CEO of the World Federation of International Music Competitions (WFIMC),…
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Shirley J Thompson: Spirit of Independence
Composer and writer Shirley J Thompson explains how she is bringing history to life in modern opera – and finding…
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The Sound of Music: acoustician Yasuhisa Toyota
Yasuhisa Toyota is chief acoustician and US company president of Nagata Acoustics, the celebrated Japanese giants of global concert hall…
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Alan Gilbert interview – New York Philharmonic
With the New York Philharmonic preparing to head out on a European tour with mezzo-soprano du jour Joyce DiDonato in April, we…
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Creating stellar sound
Meyer Sound is one of the performance industry’s leading providers of audio engineering solutions. Its latest pioneering innovation will allow…
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From crowdsourcing to mixing genres, APAP 2015 explores togetherness
The 2015 APAP congress will explore the notion of togetherness in the arts sector. It’s a highly relevant theme, as…
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The regeneration factor: how cultural leadership is changing
There’s a wave of change approaching over the cultural horizon, and for ISPA’s CEO David Baile, it signals an enterprising…
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From virtual reality to graphic novels, one orchestra takes a new approach to audience engagement
Anima Eterna Brugge is breathing new life into classical masterpieces played on period instruments. Clare Wiley reports on the Belgian…