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The topography of queerness
Queer once meant only putting on performances with plenty of glitter and feathers. But not any more, says Queer New…
First Person
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Australian First Nation dance for babies
Our Corka Bubs is a special place for babies to explore Indigenous culture through music and dance, director and South…
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Leading the arts in a fragmented world
Culture provides a dynamic platform on which to unite, writes Hilary Carty, but how to regain faith in a ‘post-truth’…
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Private dancer: the world of corporate special events
Just how do serious performers break into the private corporate special events market? Corporate entertainment expert Doug Matthews explains Many…
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Stern Grove Festival – free love for 78 years
The following excerpt is taken from the full interview in our print version of the magazine (Vol. 11, No. 13)…
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Fearless about finances
Award-winning arts manager Tricia Baldwin is director of the new Isabel Bader Centre for the Performing Arts. She writes for…
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Making History: The National Museum of Women in the Arts
Women have often been written out of art history, or never included in the first place. The National Museum of…
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Jacob's Pillow: a giant leap
Executive and artistic director Ella Baff on how a simple idea for a dance collective turned into world-renowned dance festival…
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The new guard: evolution of classical
Classical:NEXT brings the classical music industry together to exchange new ideas and practices. Head of communications Paul Bräuer explains how the…
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Spring forward
Choreographer Angela Liong is tapping into inspiring life stories to create a Rite of Spring for the people Stravinsky’s iconic…