0
Filming an operatic theme
Writer and director Carys Lewis is the first filmmaker in residence at Welsh National Opera (WNO), in collaboration with Ffilm…
First Person
0
Reality theatre
ZU-UK previewed two new shows in July as part of their Decalogy of Loneliness project. Binaural Dinner Date and Good…
0
The topography of queerness
Queer once meant only putting on performances with plenty of glitter and feathers. But not any more, says Queer New…
0
Australian First Nation dance for babies
Our Corka Bubs is a special place for babies to explore Indigenous culture through music and dance, director and South…
0
Leading the arts in a fragmented world
Culture provides a dynamic platform on which to unite, writes Hilary Carty, but how to regain faith in a ‘post-truth’…
0
Private dancer: the world of corporate special events
Just how do serious performers break into the private corporate special events market? Corporate entertainment expert Doug Matthews explains Many…
0
Stern Grove Festival – free love for 78 years
The following excerpt is taken from the full interview in our print version of the magazine (Vol. 11, No. 13)…
0
Fearless about finances
Award-winning arts manager Tricia Baldwin is director of the new Isabel Bader Centre for the Performing Arts. She writes for…
0
Making History: The National Museum of Women in the Arts
Women have often been written out of art history, or never included in the first place. The National Museum of…
0
Jacob's Pillow: a giant leap
Executive and artistic director Ella Baff on how a simple idea for a dance collective turned into world-renowned dance festival…