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The vision thing – Mark Pemberton from ABO
ABO’s 2020 Conference will ask delegates to look 10 years into the future and imagine the challenges that orchestras will…
First Person
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Matthew VanBesien – waves of influence
Matthew VanBesien, the former president of New York Philharmonic, is now president of Michigan’s University Musical Society (UMS). With 25…
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How Singapore’s Esplanade – Theatres on the Bay is preparing for the future
Yvonne Tham will take over as CEO of Esplanade – Theatres on the Bay when Benson Puah, who has steered…
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Le Bureau Export
From clubbing icon David Guetta, to classical pianist Alexandre Tharaud, and jazz star Julien Doré, Le Bureau Export supports a…
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Filming an operatic theme
Writer and director Carys Lewis is the first filmmaker in residence at Welsh National Opera (WNO), in collaboration with Ffilm…
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Reality theatre
ZU-UK previewed two new shows in July as part of their Decalogy of Loneliness project. Binaural Dinner Date and Good…
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The topography of queerness
Queer once meant only putting on performances with plenty of glitter and feathers. But not any more, says Queer New…
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Australian First Nation dance for babies
Our Corka Bubs is a special place for babies to explore Indigenous culture through music and dance, director and South…
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Leading the arts in a fragmented world
Culture provides a dynamic platform on which to unite, writes Hilary Carty, but how to regain faith in a ‘post-truth’…
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Private dancer: the world of corporate special events
Just how do serious performers break into the private corporate special events market? Corporate entertainment expert Doug Matthews explains Many…