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Classical:NEXT takes on technology
Classical:NEXT celebrates its fifth birthday this May and together with its global community looks to the future, including a new focus on…
Country focus
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Waltz on: going it alone in Austria
Thinking of going it alone in Vienna? Artist manager Mark Stephan Buhl on what it takes to tour work in…
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Brisbane gets ready for APAM 2016
Established in 1994 by the Australia Council for the Arts, Australian Performing Arts Market (APAM) is Australia’s cultural shop window…
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The 7 Sopranos
Artistic director Tarita Botsman speaks to Maria Roberts about creating opportunities for women in opera and why being accessible is…
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Vienna Philharmonic’s home for refugees
While many orchestras have held benefit concerts to do their bit to help asylum seekers in crisis, Vienna Philharmonic (VPO) has…
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Dresdener Philharmonie and Michael Sanderling
Andrew Anderson meets Dresdener Philharmonie’s impressive principal conductor Michael Sanderling, as the orchestra completes its UK tour I meet Sanderling…
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Flying high with Compagnia Finzi Pasca
Combining clowning, opera, dance and theatre, Compagnia Finzi Pasca (CFP) produce contrasting and complex work that successfully straddles several genres.…
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West Australian Ballet – long distance dancers
West Australian Ballet is the country’s oldest ballet company – it’s also the most isolated. Andrew Anderson talks to chief…
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Cre8ion take Australia to the world
When I meet with producer Theresa Famularo in the bar at HOME in Manchester, she’s a few days into a…
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Without Walls: Hong Kong Chinese Orchestra
Celina Chin, executive director at HKCO, on her plans to move Chinese repertoire forward As the orchestra’s executive director Celina…