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Christophe Rousset – Meet in Galilee, a new opera festival
I had a dream – that Sandrine Piau would sing the role of Alcina for my debut in Israel. That…
Blog
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From Russia with love
Conductor Valery Gergiev reflects on how Sergei Prokofiev influenced his career In 1991, just as the Soviet Union came to…
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If you are still talking about diversity, you’ve already failed
For more than a decade we have tried to tackle discrimination with surveys, but the trouble with diversity monitoring is…
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Creative arts are crucial for those with Alzheimer’s
An Alzheimer’s or dementia diagnosis can often lead to a person becoming cut off from the things they used to…
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Making age matter in the arts
So often we ask arts organisations ‘What are you doing to engage young people?’ We frequently look to technology and…
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How do you attract more young adults like me to the theatre?
Elizabeth Logan is a 17-year-old writer and theatre A-level student from Manchester, UK. Armed with ambition, and a place on…
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Pay what you decide – make it work for you
Asking for the audience to cough up what they think a theatre performance deserves can work – but you need…
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My Life – a week with Christopher Hampson
Christopher Hampson, chief executive and artistic director of Scottish Ballet, shares his diary with IAM in the lead up to…
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10 reasons why Generation Y aren’t rushing to classical music events
Ravers and classical music concertgoers have more in common than you’d imagine, writes Maria Roberts. Though you’ll need some novel…
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Sacconi Quartet: keeping it fresh
The further you go on your journey together, the greater the area you can explore – that’s what Sacconi Quartet,…