The judge’s Perspective: Steve Harper, literary manager at Theatre503 Throughout the process of the Theatre503 Playwriting Award we often have to…
Kenneth E Querns-Langley shares his hopes for the upcoming London Bel Canto Festival and the challenges of teaching bel canto…
Producer Joel Cottrell talks about the joys – and jitters – of putting on Contagion, a new work from Shobana Jeyasingh…
Conductor Thomas Kemp tells IAM how his Music@Malling project is encouraging children to engage with music again. Whether chanting at…
Jonathan Bloxham began his musical life as a 10-year-old cellist with the National Children’s Orchestra; this summer he is returning…
Librettist and composer Keith Burstein tells IAM about the political inspirations behind his new opera The Prometheus Revolution. The inspiration behind new opera,…
American conductor Robert Shafer tells IAM about his love for British choral tradition The great tradition of British choral singing must…
South African cellist Abel Selaocoe has teamed up with Manchester Collective for Sirocco, a musical trip from the Sahara desert…
Douglas Knehans writes for IAM on composing musical landscapes I became fascinated with the power, organicism, unrivalled beauty and vast…
Nigel Short, artistic director of Tenebrae Choir, tells IAM how he fell in love with the compositions of a composer…
