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The voice of Poland
Nigel Short, artistic director of Tenebrae Choir, tells IAM how he fell in love with the compositions of a composer…
Blog
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BBC Philharmonic invites audiences to keep their mobile phones on in the 2018-19 season
We’ve all been there: how long have I got before the concert starts before I need to turn my mobile…
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Theatre for the people
Stef O’Driscoll, artistic director at nabokov, says that in order to remain relevant theatre needs to go out into the real…
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Playing from memory
Chenyin Li is a concert pianist and academic with a specialisation in memorisation techniques. She tells IAM how she became…
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Common People
Camden People’s Theatre’s artistic director Brian Logan explains why he thinks class has been left behind in the diversity debate,…
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Damian Iorio’s Japanese diary
Conductor Damian Iorio recently led a concert with Kyoto Symphony Orchestra. Here he shares his experience of performing and travelling…
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A Second Farewell to Cambridge
Tenor Bo Wang tells IAM how his latest project successfully combines Western choral music with Chinese poetry I was born in…
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A new approach to the piano
Chad Lawson on why he believes modern technology can inspire new audiences to engage with the piano The piano. A…
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The case for contemporary repertoire
German conductor Karl-Heinz Steffens is known for his passion for modern and contemporary repertoire. He tells IAM why orchestras today have…
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Psychology of an Olympian
Korean violin legend Kyung Wha Chung turns 70 on 26 March. In the wake of the recent Winter Olympics where…