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A new approach to the piano
Chad Lawson on why he believes modern technology can inspire new audiences to engage with the piano The piano. A…
Blog
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The case for contemporary repertoire
German conductor Karl-Heinz Steffens is known for his passion for modern and contemporary repertoire. He tells IAM why orchestras today have…
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Psychology of an Olympian
Korean violin legend Kyung Wha Chung turns 70 on 26 March. In the wake of the recent Winter Olympics where…
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The change maker
Bournemouth Symphony Orchestra (BSO) has become the world’s first symphony orchestra to have its own disabled-led ensemble. Here, its conductor James Rose…
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Female composers deserve to be recognised
Conductor Laurence Equilbey on the discovering the works of Louise Farrenc On 8 March I will be celebrating International Women’s…
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Relevant reinvention
Adam Gatehouse, co-artistic director of the Leeds International Piano Competition, reflects on the thinking behind the developments and innovations at…
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In the company of Women
Writer, curator, singer and more besides, Xenia Hanusiak is the creative force behind many cultural projects. Here, she writes for…
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Palestinian play receives London premiere
Adapted from the novella by Ghassan Kanafani, Returning to Haifa tells the story of a Palestinian family, Said and Safiyya, who fled…
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Thriving artist in the new arts market
Arts consultant Matz Skoog explains why be believes career coaching for artists is more important than ever before Coaching has become…
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Orchestras join forces at ABO Cardiff
Collaboration is theme of the 2018 Association of British Orchestras (ABO) conference. ABO director Mark Pemberton on what is up for…